Contributors
- Contributors
patrick collier is Professor of English at Ball State University, where he teaches film studies and nineteenth- and twentieth-century British literature. He is the author of Modernism on Fleet Street (Ashgate 2006) and the co-editor (with Ann Ardis) of Transatlantic Print Culture, 1880–1940 (Palgrave Macmillan 2008) and (with James Connolly) Print Culture Histories Beyond the Metropolis (University of Toronto Press, forthcoming). His work on literature, journalism, and print culture has appeared in Twentieth Century Literature, Modernism/Modernity, and the Journal of Modern Periodical Studies, among other outlets.
jana smith elford is a doctoral candidate in the department of English and Film Studies at the University of Alberta, where she is also a Research Associate with the Orlando Project and the Canadian Writing Research Collaboratory (CWRC). Her research, situated at the intersection of literary history, feminist politics, and the digital humanities, explores the lives and writings of several fin de siècle feminist reformers who were involved in wider movements for social reform. Her work has been published in Victorians Institute Journal: Digital Annex, Victorian Review, Orlando: Women’s Writing in the British Isles from Beginnings to the Present, and the forthcoming collection Reading Modernism with Machines.
susan hamilton is Professor in the Department of English and Film Studies at the University of Alberta, working in the fields of Victorian feminism, animal studies, and nineteenth-century media. Her current project attempts a media history of nineteenth-century animal welfare, including the role of photography in the articulation and documenting of practices for the “humane treatment” of animals. [End Page 214]
faye hammill is Professor of English at the University of Strathclyde. Her research areas are Canadian studies and early twentieth-century literature. She is author or co-author of five monographs, most recently Magazines, Travel, and Middlebrow Culture, with Michelle Smith (2015). Her earlier book Sophistication: A Literary and Cultural History (2010), won the European Society for the Study of English book award. She established the AHRC Middlebrow Network in 2008, and is an associate editor of the International Journal of Canadian Studies and former editor of the British Journal of Canadian Studies.
paul hjartarson is Professor Emeritus in English and Film Studies at the University of Alberta, where he leads the Editing Modernism in Canada research group (EMiC UA). His most recent book, co-authored with S.C. Neuman and EMiC UA, is The Thinking Heart: The Literary Archive of Wilfred Watson (2014). His next book, co-edited with Gregory Betts and Kristine Smitka, is Counterblasting Canada: Marshall McLuhan, Wyndham Lewis, Sheila Watson, and Wilfred Watson; it will be launched at the University of Toronto’s McLuhan Centre in May 2016.
j. matthew huculak is Postdoctoral Fellow, Digital Scholarship, at the University of Victoria and Co-Director of the Modernist Versions Project (mvp.uvic.ca). His work has appeared The Oxford Critical and Cultural History of Modernist Magazines, Volume I; The Virginia Woolf Miscellany; and the Mississippi Quarterly. He currently serves as Media Consultant to the Modernist Studies Association.
hannah mcgregor is an instructor and researcher in the department of English and Film Studies at the University of Alberta and the director of Modern Magazines Project Canada (modmag.ca). Her areas of research include periodical studies, middlebrow culture, Canadian literature, and digital humanities. Her work has appeared in English Studies in Canada, Canadian Literature, and Archives and Manuscripts, as well as the forthcoming volumes Reading Modernism with Machines (Palgrave Macmillan 2016) and Editing as Cultural Practice in Canada (Wilfrid Laurier UP 2016).
will straw is Professor within the Department of Art History and Communications Studies at McGill University and served as Director, from 2011–2016, of the McGill Institute for the Study of Canada. He has published widely on film, music and print culture. [End Page 215]
