Contributors
- Contributors
CHRIS ACKERLEY is Emeritus Professor of English at the University of Otago, Dunedin, New Zealand. His work on Samuel Beckett includes book-length annotations of Murphy and Watt, and, with S. E. Gontarski, he authored the Grove Press Companion to Samuel Beckett. Recently, he has been part of an international team that edited and annotated three previously unpublished works by Malcolm Lowry for the University of Ottawa Press, including the “lost” (but found) novel, In Ballast to the White Sea. He is currently working on the study Samuel Beckett and Science but hoping in the future to have more time for his own writing.
SCARLETT BARON is a Lecturer in the English Department at University College London. Her first book was “Strandentwining Cable”: Joyce, Flaubert, and Intertextuality, and she has written several essays on Joyce and his relations with other modernist and postmodernist authors. She is currently completing a monograph that explores the prehistory of the notion of intertextuality in the works of Charles Darwin, Friedrich Nietzsche, and Sigmund Freud.
MAURIZIA BOSCAGLI is Professor of English and Comparative Literature at the University of California, Santa Barbara. She is the author of Stuff Theory: Everyday Objects, Radical Materialism and Eye on the Flesh: Fashions of Masculinity in the Early Twentieth Century. She has translated Antonio Negri’s book Insurgencies: Constituent Power and the Modern State and, with Enda Duffy, co-edited the volume Joyce, Benjamin, and Magical Urbanism. She is now writing a book on work, slowness, and the politics of not doing.
WILLIAM S. BROCKMAN has been Bibliographer of the JJQ since 1990 and edits the online James Joyce Checklist and Joyce Calendar of correspondence. He has published articles and essays on Joyce and modernist booksellers and publishers. He is currently a member of the team editing Joyce’s unpublished letters.
JEREMY COLANGELO is a Ph.D. candidate at the University of Western Ontario, currently writing a thesis on modernism and Henri Bergson. His work has appeared in Joyce Studies Annual and is forthcoming in the Canadian Review of American Studies.
LUCA CRISPI is Lecturer in Joyce Studies and Modernism in the University College Dublin James Joyce Research Centre, School of English, Drama, and Film. He also teaches in the Anglo-Irish and the Modern and Contemporary Literature M.A. programs and is currently working on a monograph entitled Making “Ulysses”: Patterns of Composition and Storytelling.
ANDREW FERGUSON is a Visiting Instructor of Twentieth-Century British Literature at Macalester College. He will [End Page 243] shortly defend his dissertation, “Gaming, Glitching, and the Playerly Text: Strategies for the Twentieth-Century Novel,” at the University of Virginia; pieces drawn from that project have appeared in Textual Cultures and Hypermedia Joyce Studies.
LEAH CULLIGAN FLACK teaches courses in James Joyce, modernism, and Irish literature at Marquette University. Her first book, Modernism and Homer: The Odysseys of H.D., James Joyce, Osip Mandelstam, and Ezra Pound, was published by Cambridge University Press in 2015.
ALAN W. FRIEDMAN is Arthur J. Thaman and Wilhelmina Doré Thaman Professor of English and Comparative Literature at the University of Texas, Austin. He has authored five books, including Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett; Fictional Death and the Modernist Enterprise; and Multivalence: The Moral Quality of Form in the Modern Novel, and monographs on Lawrence Durrell and William Faulkner, and he has edited a dozen collections, most recently Modernism and Literature: An Introduction and Reader. His current work in progress is Surreal Beckett: Samuel Beckett and Surrealism.
RICHARD J. GERBER operates two rare and collectible online book businesses with his wife Margy Gerber (<www.rmgerberbooks.com> and <www.avonrarebooks.com>). They specialize in buying, selling, and finding primarily modern literature, including works by Joyce.
JONATHAN GOLDMAN, Associate Professor of English at the New York Institute of Technology, Manhattan, is author of Modernism Is the Literature of Celebrity and co-editor of Modernist Star Maps: Celebrity, Modernity, Culture. His work specifically about Joyce includes guest-editing the “Legal Joyce” issue of the JJQ (Summer 2013), and publishing essays in The Cambridge Companion to “Ulysses,” Novel: A Forum on Fiction, The Paris Review, and The Chronicle of Higher Education.
MICHAEL GRODEN recently retired from...
