Abstract

This essay cites the critical function of binocular parallax in stereography and holography. The control and manipulation of this attribute are central to the artistic potential of these unique pictorial technologies. The relationship between hypostereoscopy, hyperstereoscopy and the viewer’s perception of space is outlined, and the author explores a few research directions, including a possible approach to quantifying and measuring automatically the aggregate stereo cue of any stereogram or hologram.

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