- Spontaneous Remission, and: A Life Beyond, and: Birth Narrative
Spontaneous Remission
In the rare example, it disappears in the aftermath— or in the midst—
who can tell, of a fever, extreme, unrelated to the cancer:
a girl’s leukemia gone when she awakes from smallpox, a woman’s
tumor dissolved in her breast after heat consumes her for
two full days. Perhaps such remission is the result of the rude surprise
of the archaic, derelict malady, most fevers made, now, obsolete—polio,
rubella, influenza, things of the past, of vial and syringe.
And so, why not, I consider how I might engender it, [End Page 158]
immunized as I have been against all but what has
taken this hold in me. Idiopathic it must be, then,
something fiendishly mine, inwrought, unknown to it.
I could bury myself in a pit I will make of coals
and ash the way my father banked a fire; I could enshroud
myself in a scald of steam; I could inject myself with malaria,
an unnamed jungle’s hot restlessness— somehow make
the velocity of heat so intense and decided that I become clear
and radiant, my scalp, my skull a nimbus, like a dandelion’s filling out [End Page 159]
with its crazed halo of seed, what I was taught when small
to blow out like a flame, the remaining seed slim pins
my mother told me to tell as time. And when I wake
as from the childhood bed, it will have broken, all of it,
the veil of seeded water on my brow a sign there: something
atomized, cast out, now, blown away, by the arson that has
become the God in me. [End Page 160]
A Life Beyond
for Maurice Manning
You have told me you passed into the space beneath the loft,
the hay hook, and, as though from a darkened theater,
looked out through the opposite door into 1880, the cicadas
the same, you could hear, the light changed somehow but how you cannot say.
Your great-grandmother is the girl in the field, grasses to her
collarbone. She has no doll, yet, not even that pretense of the you
she will never know. She has slipped away from the house, from
some small task she has been assigned, something with the dullness [End Page 161]
of a spoon and bowl, perhaps—just to turn herself around out there,
in the sun, having spun through the shadows of the animals, having
turned herself inside their breathing. That is your crooked land,
exactly; you have seen your name on the deed. You are
in the cleft of her chin, the brow bone, in a face she has begun
to admire when she makes a ladle of her hand, and brings it to her
mouth to drink. She does not know that she has disappeared,
or that someone will be looking for her. She should
not be alone— at the spring, in this field—and so she is not. [End Page 162]
Birth Narrative
She has told it every year to me until it is spoon-smooth. And she tells it in the collective first person—that January day—
as though I am already there and part of it— the way we pass beneath the sky low and cloud-marbled, light-marbled, ice-heavy
with the storm that is yet to come. My father drives us to the hospital where someone sends him home, telling him there will be
no baby this day. At this point, in these late retellings, we are alone, the ward empty except for us—the narrow beds
strictly made, dozens upon dozens of them, the floor buffed, polished as ice that has never known the skate’s blade. Then, though there is
no one to deliver me from our labor, she awakes from the ether and I am in a new bassinet of finest wicker,
swaddled in white, around my wrist a bracelet of porcelain beads that spell out our last name. We still have it and finger the beads, the letters,
like new. She unwraps me to admire the flush of me, to delight in the fat that I am. No streetlights...