Color Plate

COLOR PLATE A Color Plate A No.1 Scene from the concert Prometheus: Scriabin +Kandinsky, 21June 1996, Russia. (SeeArtists’Statement by Vanechkina and Galeyev.) Color Plate A No.2 Hubert Duprat, aquatic caddis flylarva with case, gold, pearls, precious stones, 2-3 cm, 1980-1996. (Photo: H. Del Olmo)By removing caddis fly larvae from their natural habitatand providing them with precious materials-gold spangles, gems,jewels and tiny 18-karatgold rods-the artist prompts the larvae to manufacture cases that resemblejewelers’ creations. Color Plate A No.3 Mike Mandel and Chantal Zakari,The Turkand the Jew, 1996,screen capture, &tp://www.wsu.edu: 8080/-mikeman/>. This website evolved during the period that Mandel and Zakariwere conducting their relationship in cyberspace between Pullman , WA,and ChicagoBoston . (See General Article by Deborah Haynes, Mike Mandel and Rita Robillard.) /’ COLOR PLATE B Color Plate B No. 1 Clifford Pickover, virtual cavern produced by simple mathematical simulations and rendered with computer graphics. For an animated version of t h i s cave, see chttp:// sprott.physics.wisc.edu/ pickover/home.htnm Color Plate B No. 2 Lively Bodies Lively Machines, performance/digital arts workshop, Split Screen Festival, Chichester, England, 1996. Tessa Elliott’s “Periodyssey”scene depicting screen/projection of flames in virtual space and actual body forms captured by digitalcamera and encoded in computer memory. (SeeArtist’s Article byJohannes Birringer.) Color Plate B No.3 From the Animatoproject,-,writtenand directed by GottfriedJiger and Karl Martin Holzhauser, 1995. The computer screen is divided into foursections. The top left and bottom right areas showthe geometric elements aswireframes only. The top right and bottom left areas show the constructive elements fded in (solid, with color), and the bottom left image also includes the virtual camera and studio lights. (See Artist’s Note by GottfriedJager.) , ’ /’ ...