Color Plates

COLOR PLATE A No. 1. Paul Etienne Lincoln, Zgnisfatuus, installation with phonograph, time clock, precision winch and circulatory system based on the lunar cycle, 1996. Ignisfafuuswas installed in the Victorian Conservatory in Druids Hill Park, Baltimore, Maryland , over a period of three consecutivelunar cycles. No. 2. Carlos Fadon Vicente, Vesliges#8,color digital image, 1024 X 682 pixels, 1993-1994. Vestigesrecyclesand expands con: ceptual issues and imagesfrom earlier essayssuch as Vectorsand Scherzo. While the artist was in the process of retrieving old digital files, some incidents occurred: effects of age and the environment on the diskettes storing the information, coupled with differences between versions of programs, altered the original images. These changes, which produced distorted fragments , were incorporated into the new work. COLOR PLATE B No. 1.JonathanWillard, Garden ofthe N i g h t ,oil on canvas, 48 x 48 in, 1996. (Collection of Karen and Per Heggenes) The composition finds form and movement from the closely massed shapes of different, layeredhues. It is intended to demonstratethe struggle for form and light in plants risingfrom the nighttimesoil. ...