Materials Received

photo-frames from the film. As a result of this principle we have a process of "in-betweening" and limited animation typical to the art of animation, but produced exclusively by means of live-action . The peculiarity of this created "limited animation" is that this limiting of live-action and the in-betweening is not consciously perceived by the viewer and thus is lowered to the level of the unconscious . Because of this, the film is perceived as a traditional live-action production without any analogies to the principles of animation. 238 Reviews MATERIALS RECEIVED CD-ROM Digital Creativity: Computers in Art and Design Education-CADE 95 Suzette Worden, ed. Univ. of Brighton, Grand Parade, Brighton BN2 ~ U.K. 1995. ISBN: 1-871966-23X. Books Annual Intercommunication '95 Intercommunication Center Committee (ICC), ed. NTT, Tokyo, Japan, 1995. 123 pp., illus. Paper. Frasi Storiche Ed Altre Che ... Armando Nizzi. Sincron-Italia, Brescia, Italy, 1995. IIIus. Paper. Future Health: Computers and Medicine in the Twenty-First Century Clifford A. Pickover, ed. St. Martin's Press, New York, NY, U.S.A., 1995. 182 pp., illus. Trade, $23.95. ISBN: 0-312-12602-6. Kraftesysteme WaIter Kaitna. Kunstraum Buchberg, Vienna, Austria, 1994. 124 pp., illus. Trade. Soviet Faust (Lev Termen, Pioneer of Electronic Art) (in Russian) Bulat Galeyev. Kazan, Russia, 1995.96 pp., illus. Paper. ISSN: 0869-8961. Virtual Realities and Their Discontents Robert Markley, ed.Johns Hopkins Univ. Press, Baltimore, MD, U.S.A., 1995. 162 pp. Paper, $14.95. ISBN: 0-8018-5226-9. ...