Abstract

The author chronicles the development of the Laziza Videodance and Lumia Project (LVLP), an experimental multiple-media theater that she founded with William Laziza in 1980. Descriptions of 14 movement-theater works detail LVLP’s uses of special-effect lighting, video installation and production, optics and computers, as well as scientific and mathematical principles. The author discusses the intricacies of collaboration between technicians, art handlers, dancers and actors involved in multiple-media production.

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