Comments on the Market for Holographic Art

The author, who owned a holographic art gallery from 1979 to 1990, discusses the early difficulties he encountered trying to establish a market for holographic art. He theorizes on the reasons for improved sales over the years and suggests ways to help holographic art continue to gain greater acceptance. He then details his own efforts to promote holographic art via Holart™ Report, a journal documenting international holographic art sales.