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LEONARDO BIBLIOGRAPHY For more than 25 years Leonardo has been dedicated to publishing articles that highlight the interface between the arts, sciencesand technology. The following Leonardo selectionsfocus on topics ofinterest involving art and mathematics. Photocopies ofthese articles are available at (US) $5.00 each. Collections ofarticleson the topicsof Fractals, Chaos Theory and Patterns in Nature (Theme Pack #18), The Fourth Dimension in Art, Science and Mathematics (Theme Pack #19), and Art and Mathematics (Theme Pack #20) are also availablefrom the Leonardo Editorial Office at (US) $15.00for Leonardo/ISAST members or (US) $26.00for nonmembers. Author's name and title of article are followed by Leonardo volume number or volume title, page number and year of publication. CHAOS THEORY (See PATTERNS; FRACTALS) COMPUTER ART AND MATHEMATICS Ames, Charles. Automated Composition in Retrospect: 1956-1986.20,169,1987. Beck (Holger Backstromjvjung (Bo Ljungberg) and Huebner , Wolfgang. Computer Art: Colored Pictures Based on a 'Chromocube'. 15, 118, 1982. Bert6k, Imrich and jankovic, jozef. A Collaborative Investigation of the Line: Interactive Computer-Aided Drawings . 19,27,1986. Bliss, Anna Campbell. 'New Technologies of Art-Where Art and Science Meet', University of Utah Conference, 1985.19,311,1986. Bonacic, Vladimir. Kinetic Art: Application of Abstract Algebra to Objects with Computer-Controlled Flashing Lights and Sound Combinations. 7,193,1974. Bornstein, Marc H. A Commentary on the Book Visual Art, Mathematics and Computers: Selectionsfrom theJournal 'Leonardo'. 14,28, 1981. Brennan, Susan E. Caricature Generator: The Dynamic Exaggeration of Faces by Computer. 18, 170, 1985. Brown, Frank. Computer Music Produced with the Aid of a Digital-to-Analog Converter. 11,39,1978. Chorda, Frederic. Computer Graphics for the Analysis of Perspective in Visual Art: Las Meninas by Velazquez. 24, 563,1991. Colonna,]. F. From Numbers to Pictures: The Computer as an Educational and Artistic Tool. 19, 246, 1986. Coqart, Roger. Computer Graphics: Grid Structures. 11, 118,1978. Cox, Donna]. The Tao of Post modernism: Computer Art, Scientific Visualization and Other Paradoxes. Computer Art in Context: SIGGRAPH '89 Art Show Catalog, Supplemental Issue 1989, p. 7. Cox, Donna]. Using the Supercomputer to Visualize Higher Dimensions: An Artist's Contribution to Scientific Visualization. 21,233, 1988. De Guthmann, Ana Sacerdote. A Study in the Variation of Types of Computer Drawings Obtainable by Small Program Changes. 12,37, 1979. Dewar, Robert E. Computer Art: Sculptures of Polyhedral Networks Based on an Analogy to Crystal Structures Involving Hypothetical Carbon Atoms. 15,96, 1982. Dietrich, Frank. The Computer: A Tool for Thought-Experiments . 20, 315,1987. Dietrich, Frank. Visual Intelligence: The First Decade of Computer Art (1965-1975).19,159,1986. Edmiston.]. Kenneth. Computer and Kinetic Art: Investigations of Matrix Configurations. 6, 17, 1973. Evans, Brian. Temporal Coherence with Digital Color. Digital Image-Digital Cinema: SIGGRAPH '90 Art Show Catalog , Supplemental Issue 1990, p. 43. Franke, Herbert W. A Cybernetic Approach to Aesthetics. 10,203, 1977. Franke, Herbert W. Comments on Aesthetically Satisfying Order in the Arts. 14, 233, 1981. Franke, Herbert W. Computers and Visual Art. 4, 331, 1971. Franke, Herbert W. The Expanding Medium: The Future of Computer Art. 20, 335,1987. Franke, Herbert W. The New Visual Age: The Influence of Computer Graphics on Art and Society. 18, 105, 1985. Franke, Herbert W. On Producing Graded Black and White or Color Computer Graphics in Combination with a Photographic Technique. 7, 333,1974. Franke, Herbert W. Some Remarks on Visual Fine Art in the Age of Advanced Technology. 8, 153, 1975. Gips,james and Stiny, George. An Investigation ofAlgorithmic Aesthetics. 8, 213, 1975. Goldberg, Theo and Schrack, Gunther. Computer-Aided Correlation of Musical and Visual Structures. 19, 11, 1986. Kerlow, Isaac Victor. Computer Image Generation of PreColumbian Shapes and Patterns. 19, 131, 1986. King, Mike. Sculptor: A Three-Dimensional Computer Sculpting System. 24, 383,1991. Kodratoff, Yves.On the Simulation of an Art Work by a Markov Chain with the Aid ofa Digital Computer. 6, 37, 1973. Kugel, Peter. Artificial Intelligence and Visual Art. 14, 136, 1981. Land, Richard 1. Computer Art: Color-Stereo Display. 2, 335,1969. Leavitt, Ruth and Leavitt,jay. Pictures Based on Computer Drawings Made by Deforming an Initial Design. 9, 99, 1976. Malina, Frank]. Comments on Visual Fine Art Produced by Digital Computers. 4...

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