Color Plates

No. 1. Christine Tamblyn, image fromzyxwvutsrqponmlkjihgfedcbaZYXWVUTSRQPONMLKJIHGFEDCBA She Loves It, She Loves It NoU Women and Technology, interactive compact disc­read only memory (CD­ROM), 1993. The CD­ROM is organized in 12 continuous loops on subjects relating to aspects of human/technological interfaces. The screens that comprise the loops resemble magazine pages, with a large static image as the most prominent graphic element. The text draws on research from cultural studies, so­ ciology and film history. zyxwvutsrqponmlkjihgfedcbaZYXWVUTSRQPONMLKJIHGFEDCBA COLOR PLATE A No. 2. Three­dimensional computer sketch made by Mark Hoevenaars in the Artificial Intuition workshop led by Kas Oosterhuis and Ilona Lenärd, Delft, Holland, 1990. This sketch shows a further developmental stage of an earlier sketch by Hoevenaars (Fig. 3 in article by Oosterhuis). The curves and straight lines of the earlier sketch form the basis for planes, meshes and volumes. When working in three dimensions, one can create complex geom­ etries on the basis of free, intuitive sketches. In principle, the computer makes it possible for such complexity to be engineered and materialized in the real world (see article by Oosterhuis). ...