Abstract

The author describes his experimental attempts to organically synthesize color and light with the contents of a musical work. His experiments have led him to conclude that (1) the interaction of the auditory and the optic analyzers is possible only in the case that the parameters of the synthesis are adequate, and (2) the only parameters of the synthesis that yield an adequate parallelism are the musical mode and the thermal tone of the color.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 57-58
Launched on MUSE
2017-01-04
Open Access
No
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