Color Plates

No. 1. GregPadfield, computergraphics, 1993. The artist modifiesa simple twodimensionalimage for use as a fabric print design. COLOR PLATE A No.2. Carolee Schneemann, photo collage of performance images from Fwsh Blood: A DreamMorphology, 12 x 10 in, 1990. The artist places her body in a central position in her art to reveal contradictions in culture. No. 3. Daniel Fischer, Scribblingin the . S k y , from the series ImugesPoems ,mixed-media computer serigraph with o i lpaint, 75 x 58 cm. The first version of this work (with text in the Slovak language) was created in 1982. (See General Article by Martin Sperka.) COLOR PLATE B No. 1. Isabelle Chemin and Guido Hiibner, performance from the multimedia series Percqbtion:Fast Forward 222, 1992. (Photo: A. Galeote) The performance that culminated this multimedia work about the interaction between human and machine included a performer , programmed robot movements and bursts of electrifying noises. (SeeWords on Works.) No. 2. Juraj Bartusz, Time and Space Snrlpture ,aluminum, 52 cm, 1974. Thii adjustable sculpture was created according to instructions generated by an HP 9030A computer. (Algorithmand program: S. Haltenberger) (See General Article by Martin Sperka.) No.3.Jacques Donneux, electrostatic painting, color toners on paper, 1990-1993. Using polyurethane sponges and balsa wood sticks, the artist paints color photocopier toners onto smooth French Veli or Bristol papers and then “fiies” the colors with an infrared heater. ...