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COLOR PLATE A No.1. Carole Conde and Karl Beveridge, No Power Greater (detail), cibachrome print, 30 x 40 in, 1991. No.3. Lynn Hershman, Lorna, still image from interactive videodisc, 1983. No.2. Nancy Buchanan, American Dream #7: The Price Is Wrong (interior detail), mixed-media sculpture with 2Y.-incolor television monitor, 14 x 36 x 30 in, 1991. The mansion and furnishing were co-designed by Carolyn Potter, who also constructed the house. The scale-model includes an exterior patio with lawn furniture, as well as a satellite dish on the roof. This view shows the working chandelier; portraits line the red and gold walls. (Photo: Carlos De Avila) COLOR PLATE B No.1. Lajos Heder, photocollage , Site #1,1992. (See article by Joan Brigham.) No.2. Esther Parada, Heimat Bayern--{ilr wen? (Homeland Bavaria--{ur Whom?), east wing of installation on the facade of the Antikensammlungen, KOnigsplatz, Munich, 1991. The popularity of the site for fashion shoots is an ironic comment on the artist's efforts to move beyond stereotypical representations of women in public space. Three of six 1.8 x 3.7-m digitally generated panels are visible behind the model. No.1. Agnes Denes, Wheatjield-A Confrontation, environmental artwork, Battery Park landfill, downtown Manhattan, New York, 2 acres of wheat planted and harvested by the artist, Summer 1982. (© 1989 Agnes Denes) COLOR PlATE C No.2. Helen Mayer Harrison and Newton Harrison, Ring ofFire, in Bookof the Seventh Lagoon, The LagoonCycle, artists' folio book, 1983. Part of the artists' 12-yearwork including text, drawings , maps, sitespecific environmental artworks and performance . This book, comprised of 45 20x -24oinimages with text, is a translation into book form of The Seventh Lagoon installation. ...

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