Abstract

The author provides a theoretical analysis of the exhibition and the show program at the Light and Music festival held 20–30 September 1987, in Kazan, USSR. He considers problems of art, science and technology, with special reference to musical-kinetic art, in Russia and the Soviet Union since the beginning of the twentieth century. Attention is devoted to nontraditional, experimental artistic forms that make active use of modern technology. Concrete examples are given from the festival program, which included works of leading Soviet experimentalists.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 41-47
Launched on MUSE
2017-01-04
Open Access
No
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