Abstract

The author relates the principal aesthetic and subject concerns that resulted in her experiments with sound used as line in drawing. The development of the artist’s audio technology and use of exhibition space are discussed in relation to six specific installation works. Interactions with collaborators are examined, and closing comments consider aesthetic outcomes and goals.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 23-29
Launched on MUSE
2017-01-04
Open Access
No
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