In lieu of an abstract, here is a brief excerpt of the content:

EDIT()RIAL LEONARDO'S UNITY OF ARTISTIC AND SCIENTIFIC IDEAS If;'is true that to observe and analyze nature make> one wi..and human history gives an affirmative answer-then we should remember that Leonardo da Vinci "had devoted his whole life to learning about the infinite complexity of all aspects of nature and that he was able to elevate this insatiable 'cognitive passion' to art" [1]. Several centuries passed before we believed in what da Vinci encouraged: "searching for beauty and harmony in unusual pictures such as for example those suggested to the imagination by a wall covered with spots" [2]. But 1am amazed by some other facts in da Vinci's biography-facts that seem to be insignificant but that tell a lot about him as a man. It is said that Leonardo never participated in cruel corridas, the then-common practice of bear fights and hunts. "He was seen buying birds at a market in order to set them free" [3]. Symptomatic also are his own words about his work on submarines : "I don't make it known and 1don't develop it because ofthe evil nature of people, who would commit murder on the sea bottom by piercing sides of ships and sinking them together with the people on board" [4]. After the experiences of so many wars since Leonardo's time, including the two world wars, we can ask the following questions: (1) Why has humankind never hesitated to try out its powers of murder and destruction? (2) Will it be now strong enough and wise enough to give up such trials immediately because thanks to telecommunications -and thus also, to a certain extent, thanks to the new media of art-now is an extraordinary time for all nations to learn more about one another, understand one another, communicate to one another their new impressions and, finally, save our 'global village'? Some people see a moral crisis in the decline of authorities, of religion and of tradition. A formula for improvement of the situation is seen in the courage and the ability to exceed one's limitations. Whatever the evaluation of the past, the present chance seems incomparable. Mankind has gone a long way in order to attain the present state of knowledge and sciences: With the growth of the technical potential and precision of theory, the probability of making a mistake in interpretation and in practice is diminishing. Consequently, various specialisations are separated. However, detailed but fragmentary knowledge does not render the full, i.e, the true, picture of any problem or phenomenon. At present, thanks to the cooperation of experts in various fields, we are approaching the final truth, the most appropriate understanding of the surrounding world. Somehow the unity of Leonardo da Vinci's artistic and scientific ideas has retained its validity, only a few intermediate shades richer. 1wish the time would come when no one would think about bringing birds to market. ALEKSANDRA MANCZAK EditorialAdvisor Translated from the original Polish by Adam Sumera. C199l1SAST Pergamon Press pic.Printed inGreat Britain. oo24Q94X/91$3.00+0.00 LEONARDO, Vol. 24, No.1, p. 1-2, 1991 1 2 Editorial References and Notes I. "Leonardo da Vinci", in Maria Luisa Rizzatti, Genius... sztuki Leonardo da Vin"; (Warsaw: Krajowa Agencja Wydawnicza , 1989) p. 84. Translations of all quotations in text by Adam Sumera. 2, Rizzatti [1 Jpp. 85-86. 3, Heinrich Wolffiin, Sztuka kla.ryczna,J. Muckowski, tr. (Krakow, 1931) pp. 20-23. Originally published in Uerruan as Die kla....ische Kunst. Translated into English by Adam Sumera. 4. Rizzatti [ IJp. 108. ...

pdf

Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 1-2
Launched on MUSE
2017-01-04
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.