Plate

No.2. (right) Michael Heivly, transmitter array, 12-24 ft, 1988. These radio transmitters are beaming topographic sculptures in the form of microwave energy into the constellation Corona Borealis from Ruben Fleet Space Center, San Diego, California. COLOR PLATE A No. I. (left) Attila Csiiji and Norbert Kroo, CellCrysrols, laserlight art, 1980. During this performance, laser light creates a three-dimensional environment that takes viewers on ajourney into the secrets of nature. No.3. (left) Dann E. Passoja and Akh1esh Lakhtakia, G = 5 (warm series), Group 2 carpet design,inkjet print, 1990. This carpet was produced through the authors' algorithm, with Q=5. COLOR PLATE B No.1. (right) Caiman Shemi,junction, soft painting, 72 x 52 in, 1990. This work was created with rolls of special felt materials ofvarying thicknesses, colors and shades. Textile-industry machinerywas used to attach the fabric layers together. (Photo: Shuki Kuk) No.2. (left) George Gessert, My Egyptfrom Sky,artist's book, 1985. This image comes from a Pentagon publicity photograph of the Peacekeeper/ MX Re-entry Vehicle Assembly from Dava Still Media Depository in Washington, D.C. No.3. (right) Lynn Pocock-Williams, Virtual Reality, videotape, 1989. This videotape combines abstract computer-graphics imagerywith layered background scenes such as this partial view of a performing musician. No-.4. (left) Horacio Zabala, wax oil pastel on paper and newspaper, 65 x 79 em, 1985. Duplication of the Times, London, 19 November 1985, p. 1. ...