Books Received

Ali and His Russian Mother. By Alexandra Chreiteh. Translated by Michelle Hartman. Northampton, MA: Interlink Books, 2015.

Approaches to Teaching Austen’s “Mansfield Park.” Edited by Marcia McClintock Folsom and John Wiltshire. New York: The Modern Language Association of America, 2014.

The Boys of Bluehill. By Eiléan Ní Chuilleanáin. Winston-Salem, NC: Wake Forest University Press, 2015.

Changing the Subject: Writing Women across the African Diaspora. By K. Merinda Simmons. Columbus: Ohio State University Press, 2014.

Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy. By Meredith K. Ray. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2015.

Dreams of Maryam Tair: Blue Boots and Orange Blossoms. By Mhani Alaoui. Northampton, MA: Interlink Books, 2015.

Embroidering the Scarlet A: Unwed Mothers and Illegitimate Children in American Fiction and Film. By Janet Mason Ellerby. Ann Arbor: University of Michigan Press, 2015.

Erotic Infidelities: Love and Enchantment in Angela Carter’s “The Bloody Chamber.” By Kimberly J. Lau. Series in Fairy-Tale Studies. Detroit: Wayne State University Press, 2015.

A Feminine Enlightenment: British Women Writers and the Philosophy of Progress, 1759–1820. By JoEllen DeLucia. Edinburgh Critical Studies in Romanticism. Edinburgh: Edinburgh University Press, 2015.

Flannery O’Connor: Fiction Fired by Faith. By Angela Alaimo O’Donnell. Collegeville, MN: Liturgical Press, 2015.

Forging Shoah Memories: Italian Women Writers, Jewish Identity, and the Holocaust. By Stefania Lucamante. Italian and Italian American Studies. New York: Palgrave Macmillan, 2014.

Grief and Women Writers in the English Renaissance. By Elizabeth Hodgson. Cambridge: Cambridge University Press, 2015.

Helene Schweitzer: A Life of Her Own. By Patti M. Marxsen. Syracuse: Syracuse University Press, 2015.

Intersections of Harm: Narratives of Latina Deviance and Defiance. By Laura Halperin. Gender and Genre. New Brusnwick, NJ: Rutgers University Press, 2015.

Latin American Women and the Literature of Madness: Narratives at the Crossroads of Gender, Politics, and the Mind. By Elvira Sánchez-Blake and Laura Kanost. Jefferson, NC: McFarland, 2015.

The Lesbian Muse and Poetic Identity, 1889–1930. By Sarah Parker. Gender and Genre. Brookfield, VT: Pickering and Chatto, 2013.

Married or Single? By Catherine Maria Sedgwick. Edited by Deborah Gussman. Legacies of Nineteenth-Century American Women Writers. Lincoln: University of Nebraska Press, 2015.

Monsters, Zombies + Addicts: Poems. By Gwendolyn Zepeda. Houston: Arte Público Press, 2015.

Phillis Wheatley’s Miltonic Poetics. By Paula Loscocco. New York: Palgrave Macmillan, 2014.

Unarrested Archives: Case Studies in Twentieth-Century Canadian Women’s Authorship. By Linda M. Morra. Toronto: University of Toronto Press, 2014.

Virginia Woolf: A Portrait. By Viviane Forrester. Translated by Jody Gladding. New York: Columbia University Press, 2015.

Women and the Rise of the Novel, 1405–1726. By Josephine Donovan. 2nd edition. New York: Palgrave Macmillan, 2013.

Women’s History: History of the Prairie West Series. Vol. 5. Edited by Wendee Kubik and Gregory P. Marchildon. Regina: University of Regina Press, 2015.

Women’s Voices in Tudor Wills, 1485–1603: Authority, Influence, and Material Culture. By Susan E. James. Burlington, VT: Ashgate, 2015.

Writing Childbirth: Women’s Rhetorical Agency in Labor and Online. By Kim Hensley Owens. Carbondale: Southern Illinois University Press, 2015.