- A Mix Tape: The Hit Singularities
(Side A)
1. “Like a Virgin”—Madonna
How to look out the window and see something other
than the smear of purple apricot that velvet sunset left
on my terrifying private sky, in 1983?
2. “Cruel Summer”—Bananarama
They didn’t last the afternoon, any of those three dates in a week, three new guys I’d met.
I said yes to a drive to the beach, to lunch at Sizzler and lunch at a salad place.
I thought I was getting ready, Sun-in in my perm, but we could tell by the silence.
It wasn’t hungry or angry. Didn’t want a stronger stranger, or even dessert.
Just caressed everything hopeless with no muscles at all. Thanks! See you in school. [End Page 42]
3. “Let’s Go Crazy”—Prince
Tonight’s hemophiliac moon, (talented cheat) is brilliant
in the role of understudy to the sometimes mad eye of Venus.
Or:
Being a smart girl who wants to be in love is like breaking a leg
in a boring accident (sidewalk trip) but the wound gets a disease (gangrene)
so everyone looks at you funny but they don’t really notice you.
4. “Nobody’s Diary”—Yaz
How do I deceive myself? Do I act my happiness?
Am I good at acting it? I live in a large box of air
playing records so unhappily. I can’t forget how you looked
at me, like I wasn’t me and you weren’t you. How to change?
How to change everything into everything you like?
5. “How Soon Is Now”—The Smiths
Blood in the mouth is so familiar, metal
in liquid form come up to nourish source. So we put to lips what [End Page 43] cuts us: paper, wood,
wire, knife, teeth. I bite my tongue in two
when I smell your hair, that Aquanet. When
will I know the smallest hair? The softer things?
6. “You Spin Me Round (Like a Record)”—Dead or Alive
Words: the berries of the cosmos, plucked from their system
then changed beyond belief because you don’t believe me.
(Side B)
1. “Do You Really Want to Hurt Me?”—Culture Club
Against ourselves we stand no chance— we chop our wood, jack our trades, gas our cars, shave our heads bare in solidarity with not dying. We are the miracle meat. Sandwiches nobody buys, wrapped in plastic on display against our wishes against ourselves again.
2. “I Ran (So Far Away)” —Flock of Seagulls
I ran away only to prove I chose my next move somehow. [End Page 44]
Really you did not lose me: you walked away. I sat there waiting
but you were gone. Only then did I run, to salvage a mile or two of my own.
I don’t know how much of my own story is true and what I’ve had to believe.
Really I think I just sat there self-thinking the same cruel sentences:
You fool yourself, you do. And you know it, liar. I couldn’t get away.
3. “Here Comes the Rain Again”—Eurythmics
No kind nana with papery hands to click her knitting needles
and tell you that memory itself used to have memory. This wet dump doesn’t
remember falling year after year, but it did, does, the very same stuff.
Water is One, to Old Earth- Sky, even if we divide it by tasks, titles, time.
4. “Words”—Missing Persons “Do you hear me? Do you care?”
If words were material and not ether, ink, rivulet of breath in space,
they’d have a hand-stitched quality, each a starsplat [End Page 45] of sleep on a plain white
tight cotton sheet that robots wove on their industrial looms. They want us comfortable.