American Dante Bibliography for 2014
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This bibliography is intended to include all the Dante translations published in this country in 2014 and all Dante studies and reviews published in 2014 that are in any sense American. The latter criterion is construed to include foreign reviews of American publications pertaining to Dante.
Translations
Dante’s Lyric Poetry: Poems of Youth and the Vita Nuova (1283–1292). Edited with a general introduction and introductory essays by Teodolinda Barolini and new verse translations by Richard H. Lansing. Toronto: University of Toronto Press, 2014. vii, 335 p.
Books
Ardizzone, Maria Luisa, and Teodolinda Barolini. Dante and Heterodoxy: The Temptations of 13th Century Radical Thought. Newcastle upon Tyne, Eng.: Cambridge Scholars Press, 2014. xii, 306 p.
Baika, Gabriella I. The Rose and Geryon: The Poetics of Fraud and Violence in Jean de Meun and Dante. Washington, D.C.: Catholic University of America Press, 2014. xii, 320 p. [End Page 196]
Barański, Zygmunt G. Language As Sin and Salvation: A Lectura of Inf. XVIII. Binghamton, N.Y.: Center for Medieval & Renaissance Studies, State University of New York, 2014. 47 p.
Ferrante, Joan M. The Political Vision of the “Divine Comedy”. Princeton, N.J.: Princeton University Press, 2014. ix, 392 p. (Princeton Legacy Library; originally published in 1984.)
Mazzaro, Jerome. The Figure of Dante: An Essay on the Vita Nuova. Princeton, N.J.: Princeton University Press, 2014. 173 p. (Princeton Legacy Library; originally published in 1981).
Mazzotta, Giuseppe. Confine quasi orizzonte: saggi su Dante. Rome: Edizioni di Storia e Letteratura, 2014. 137 p.
Mazzotta, Giuseppe. Reading Dante. New Haven, Conn.: Yale University Press, 2014. 293 p.
Nayar, Sheila J. Dante’s Sacred Poem: Flesh and the Centrality of the Eucharist to the Divine Comedy. New York: Bloomsbury, 2014. xii, 240 p.
Olson, Kristina M. Courtesy Lost: Dante, Boccaccio, and the Literature of History. Toronto: University of Toronto Press, 2014. x, 248 p.
Shaw, Prue. Reading Dante: From Here to Eternity. New York: Liveright, 2014. xxix, 318 p.
Ziolkowski, Jan M. Dante and the Greeks. Washington, D.C.: Dumbarton Oaks Research Library and Collection, 2014. 286 p.
Articles
Alfie, Fabian. “Love and Misogamy in the Age of Dante and Petrarch.” In Approaches to Teaching Petrarch’s Canzoniere and the Petrarchan Tradition, ed. Christopher Kleinhenz and Andrea Dini (New York: Modern Language Association of America, 2014), 79–84.
Anichini, Federica. “In Dialogue with the Imageless Vision: Constructing Language in Paradiso III.” In Ardizzone and Barolini, Dante and Heterodoxy, 18–34. [End Page 197]
Ardizzone, Maria Luisa. “Filling Empty Spaces: Dante’s Strategies of Writing in Convivio III.” In Ardizzone and Barolini, Dante and Heterodoxy, 145–63.
Ascoli, Albert Russell. “Reading Dante’s Readings: What? When? Where? How?” In Ardizzone and Barolini, Dante and Heterodoxy, 126–44.
Barański, Zygmunt G. “The Temptations of a Heterodox Dante.” In Ardizzone and Barolini, Dante and Heterodoxy, 164–96.
Barolini, Teodolina. “Contemporaries who Found Heterodoxy in Dante, featuring (but not Exclusively) Cecco d’Ascoli.” In Ardizzone and Barolini, Dante and Heterodoxy, 259–75.
Barolsky, Paul. “Dante’s Infernal Fart and the Art of Translation.” Arion: A Journal of Humanities and the Classics 22, no. 1 (2014): 93–101.
Bettini, Simone Tarud. “Dante e la tradizione lirica: Purgatorio 15.67–75, un caso di intertestualità in volgare.” Dante Studies 132 (2014): 159–74.
Bianchi, Luca. “A ‘Heterodox’ in Paradise? Notes on the Relationship between Dante and Siger of Brabant.” In Ardizzone and Barolini, Dante and Heterodoxy, 78–105.
Boitani, Piero. “Shadows of Heterodoxy in Hell.” In Ardizzone and Barolini, Dante and Heterodoxy, 60–77.
Braida, Antonella. “Dante and Translation: An Approach to Untranslatability in the Poet’s Work.” In John C. Barnes and Michelangelo Zaccarello, ed. Language and Style in Dante (Dublin, Ireland: Four Courts Press, 2013), 63–83.
Brazeau, Bryan. “‘I Fight Auctoritas, Auctoritas Always Wins’: Siger of Brabant, Paradiso X and Dante’s Textual Authority.” In Ardizzone and Barolini, Dante and Heterodoxy, 106–25.
Brownlee, Kevin. “Dante’s Transfigured Ovidian Models: Icarus and Daedalus in the Commedia.” In Rethinking the New Medievalism, ed. Howard R. Bloch, Alison Calhoun, Jacqueline Cerquiglini-Toulet, Joachim Küpper and Jeanette Patterson (Baltimore, Md.: Johns Hopkins University Press...
