In lieu of an abstract, here is a brief excerpt of the content:

  • Contents, Volume 71, 2015
maria almanza
Dismantling the American Boy: Nathanael West’s A Cool Million
4/53
li yun alvarado
Ambivalence and the Empire City: Julia de Burgos’s New York
1/53
lindsey michael banco
“Hiroshima Is Peanuts”: The Strange Landscape of The Day After
1/101
mitchell breitwieser
Hawthorne: Mortmain
3/27
greg chase
“Ah just cant quit thinking”: Modernist Narrative Voice in Faulkner and Ellison
3/111
robert j. corber
Ginger Trouble
2/121
james e. dobson
Bits of Autobiography: Radical Deindividualization and Everydayness
1/83
annie dwyer
Animal Autobiography and the Domestication of Human Freedom
2/1
susan m. griffin
The Europeans on Broadway
4/1
andrew hebard
Race Conservation and Imperial Sovereignty in Sutton Griggs’s Imperium in Imperio
3/59
hee-jung serenity joo
Reluctant Heroes and Petty Tyrants: Reproducing Race in the Global War on Terror in Children of Men and District 9
2/61
raymond malewitz
“Some new dimension of hip and bone”: Remediated Bodies and Digital Posthumanism in Gary Shteyngart’s Super Sad True Love Story
4/107
lisa mendelman
Ambivalence and Irony: Gendered Forms in Interwar America
4/23
lee clark mitchell
Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald
3/1
jonathan w. murphy
Thoughts for Nathaniel Hawthorne on Hearth and Altar
2/31
nicholas nardini
A Fresh-Start Doctrine: The Marshall Plan, The Adventures of Augie March, and the Bildungsroman after Nationalism
2/149
daniel rosenberg nutters
Henry James and the Sublime
2/87
peter j. pappas
Leaving Something to Be Desired: Affective Strategies and the Everyday-Spectacular in Nathanael West’s The Day of the Locust
1/129
justin parks
Muriel Rukeyser’s Poetics of Extension and the Politics of Documentary Photography
1/151
amy parsons
Desire, Forgetting, and the Future: Walt Whitman’s Civil War
3/85
donald pizer
John Dos Passos and Harlan: Three Variations on a Theme
1/1
suzanne roszak
Sex, Diaspora, and the New “Italian Novel”: James Baldwin’s Giovanni’s Room and Bernard Malamud’s Pictures of Fidelman
4/81
cedric r. tolliver
The Racial Ends of History: Melancholic Historical Practice in Pauline Hopkins’s Of One Blood
1/25
skip willman
Reframing “official memory”: Don Delillo’s Libra and the House Select Committee on Assassinations
3/139

[End Page 133]

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Additional Information

ISSN
1558-9595
Print ISSN
0004-1610
Pages
pp. 131-133
Launched on MUSE
2015-12-20
Open Access
No
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