Contributors
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Jonathan Allison is a native of Northern Ireland. He currently professes English at the University of Kentucky, where he has taught for twenty-seven years, and has recently been appointed interim director of the University Press of Kentucky. His most recent publication is the Letters of Louis MacNeice (2010).
Graham Barnhart, after serving tours in Iraq and Afghanistan as a U.S. Army special forces medic, is pursuing an mfa in poetry from the Ohio State University. His poetry has been published or is forthcoming from the Beloit Poetry Journal, the Sycamore Review, and Subtropics.
George Bornstein is the C. A. Patrides professor of literature, emeritus, at the University of Michigan. The most recent of his many books and editions is The Colors of Zion: Blacks, Jews, and Irish from 1845 to 1945 (Harvard University Press).
Craig Challender teaches literature at Longwood University in Farmville, Virginia. His poems have appeared or are forthcoming in Arts & Letters, the Connecticut River Review, and elsewhere. As Details Become Available is his most recent collection of poetry.
Robert Cooperman’s latest collection of poems is Just Drive. His work has appeared in the Mississippi Review and the Southern Humanities Review.
Margot Demopoulos has published nonfiction in the Potomac Review, the Adirondack Review, and elsewhere; and fiction in the Massachusetts Review and Fiction International. This is her second story in the SR.
Damien Douglas was born in Anchorage, Alaska, was educated at Washington University and the University of Minnesota, and now lives in Boston. This is his first published poem.
William E. Engel, a regular reviewer for the SR, professes English and humanities at the University of the South. His recent work includes a critical anthology of the memory arts in Renaissance England.
Ernest Finney’s novella Elevation: 6040, this year’s winner of the Clay Reynolds Prize at the Texas Review Press, is forthcoming this fall. He lives in Sierra County, California.
Dwight A. Gray is a graduate student at Texas A&M–Central Texas and an mfa candidate at the Sewanee School of Letters. His poetry can be found in Grey Sparrow Journal, Appalachian Heritage, and the Kentucky Review, among other periodicals.
Kathleen Hellen’s poetry has been published in Barrow Street, Cimarron Review, New Letters, Prairie Schooner, Witness, and other places. Her most recent collection is Umberto’s Night, winner of the Jean Feldman Poetry Prize.
Graham Hillard professes English at Trevecca Nazarene University and is the editor of the Cumberland River Review. With poetry in The Believer, Image, Notre Dame Review, and numerous other journals, he has also written for the Oxford American, the Weekly Standard, and the Los Angeles Review of Books.
Pat C. Hoy II has now retired from full-time teaching at New York University, where he directed the expository writing program. His essay “Warring with Words” earned this magazine’s Monroe K. Spears Prize in 2014 for the best essay.
Nancy Revelle Johnson, a historian with a special interest in women’s history, has reviewed memoirs for this quarterly for many years.
Robert Lacy is a frequent contributor to the Sewanee Review. He lives with his wife, Susan, on Medicine Lake in the western suburbs of Minneapolis.
Ann Lohner was born in America, spent years in Europe, and now lives in Canada. This is her first appearance in the SR, but her stories have been published in Stand Magazine (England), Westerly Magazine (Australia), and the Nashwaak Review (Australia).
Lisa McCabe lives in Nova Scotia and works in the field of software internationalization and translation. She studied film at York University in Toronto and literature at the University of North Carolina.
Jeffrey Meyers, a Fellow of the Royal Society of Literature, has published [End Page lxxiii] extensively on Hemingway—three books and more than fifty articles. His book “Robert Lowell in Love” will be out next year with the University of Massachusetts Press.
Michael Miller served in the U.S. Marine Corps during 1958–1962. His poems have appeared in the Kenyon Review, Raritan, Yale Review, and New Republic. His most recent book of poetry is The Different War (Truman State University Press), from which the title of this issue, The Architecture of Death, was taken.
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