Abstract

The author presents his current work in concrete and neon, two apparently paradoxical materials, which he has been using since 1984. After placing his work in a general context, he then explains the evolution of his creative process. He defines the specific technical qualities of concrete and neon, describing both the contradiction and the interaction between the two as well as their relation to space and their influence on the environment. He considers works in concrete and neon to be both images of the modern world and reflections of an ancient one.

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