Abstract

The effect of the 2010 Winter Olympics on disability theatre and associated arts can be viewed as disruptive. Examination of work and activism post-Olympics brings a more positive view. The legacy is described as a response, rooted in the wider disability culture, of inclusion, mentoring, initiative/leadership, and coowperation/collaboration.

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Additional Information

ISSN
1920-941X
Print ISSN
0315-0836
Pages
pp. 61-63
Launched on MUSE
2015-11-27
Open Access
No
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