Abstract

The author describes the development of his works through three phases: deconstruction of technological images; mixing and dissemination of fragments; and fractal synthesis. Seen from close up, the works appear to be unfinished figurative images. Viewed from an intermediate distance the assembled fragments constitute a turbulent space, while from afar they constitute a global abstract image. Although stimulated by scientific theory, the artist favors chaos, inspiration and empiricism in practice.

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