Illustration

No. 1. Top left. Margaret Benyon. Tigirl, reflection hologram, silver halide on glass, colour reproduction, 30X 33 cm, 1985. lbispiece combinesthe fringeson the face of the artist with the stripes on a tiger's head. No. 2. Top right. Alexander Nepote. Distinctive Tidk Pool Visra,132 Xl22 cm,glued papers, acrylic polymer, pastel on canvas, 1976. 'Ibe artist varies the palette on his cliff paintings to create diverse vibrationsand moods.'Ibedarks in his work signifythe unknownpast orfuture. (See General Articleby Mary Carroll Nelson.) No. 3. Bottom left. Lin Emery and Robert Morris. Kinesone 1, 14 aluminum pipes, each 4-l/2in. diam. X 9 ft high, 1982. Mountedon a curved wall, the Linesonesarefree to moveunderthe influenceof slight air currents. M e n they oscillateon a set of convergingplanes, they create some unusualvisual geometries. (Pboto: Donn Young.) No. 4. Bottom right. Otto Piene. Brussels Fbwer, 1977/78, helium-filled inflatable sculpture manipulated with guy ropes, shown flying in one of a series of three sky events from the roof of the Sobmon R. Cuggenheim Museum, New York City, 1984. lbese outdoor rooftop performances complementedSky Dance, a multimediaproductionstagedinsidethe museum. SkyDancewasproduced by F'iene in collaborationwith choreographerElaine Summersand composer Cannan Moore. (Photo: Elizabeth Cddring.) ...