Abstract

The author traces the development of her multiple-channel video installations and paintings from 1974 to 1988. She discusses the development of her thinking about the function of line and of time in both ancient and modern communications technologies, specifically, the weaving loom, the printed word and video. Finally, she describes how this preoccupation led to the creation of paintings based on language.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 367-370
Launched on MUSE
2017-01-04
Open Access
No
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