Abstract

The unification of art and context has been a motivating force in the author’s work since 1980. She defines context as the relationship of art to its place, to its public and to a time. This philosophy has led her to consider the various hypotheses that inform her work, some of which include the primacy of site, accessibility of art to the public and art’s position in the social and economic system of today.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 361-366
Launched on MUSE
2017-01-04
Open Access
No
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