Abstract

The author discusses the American street mural movement in general as background to a critical evaluation of four murals. The major portion of the article is a critique of these four street murals, which, it is argued, are radical antitechnological statements in response to a high-technology world. These works make statements on the role of high technology in food production, the power of large corporations, and the possibility of nuclear war.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 267-271
Launched on MUSE
2017-01-04
Open Access
No
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