Abstract

The author describes his work as a kinetic sculptor whose goal is to create a moving machine in which the motion itself plays the most important role and the work’s function as an object is minimized. He describes two types of motion used in his pieces: displacement motion and aesthetic motion. His kinetic artworks are displayed one piece at a time, usually accompanied by music. He believes his artwork has a two-phase effect on spectators: after experiencing the emotional phase, the spectators enter the intellectual phase in which they try to understand the origins of the motion.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 243-246
Launched on MUSE
2017-01-04
Open Access
No
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