Abstract

Fluorescent and phosphorescent colours, long considered to be the materials of the specialist, require careful handling to be used efficiently. The author discusses European products available to the American artist, gives a brief explanation of the physical processes involved in luminescence and suggests how artists may use luminescence to best effect in their work. In conclusion the author outlines current developmental work and possible future trends.

pdf

Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 187-190
Launched on MUSE
2017-01-04
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.