Abstract

The author describes her painterly approach to the enameling and firing of panels and hand-formed hammered steel relief shapes. She discusses her introduction to and study of the enameling process and explains the various procedures involved. She concludes with a personal view of her enamel pieces and examines how they are influenced by her methods of painting on canvas.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 135-139
Launched on MUSE
2017-01-04
Open Access
No
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