Abstract

With the advent of the computer we now have the technical means for developing a dynamic, generative visual art form that emulates the condition and principles of music. In discussing the premises upon which the emergence of such an art rests, the author gives a broad overview of the approaches being used in search of a structural format and language, and he reviews his search for a formal imaging system to produce dynamic computer compositions of his paintings.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 115-122
Launched on MUSE
2017-01-04
Open Access
No
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