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No. 1. Top left. Mabel Fischer (in her 'persona' of Brazilia), Stream of Consciousness, oil on canvas, 30 X 24 in, 1984. (Photo: Robert Demint) 'Mabel' writes: "Brazilia's work shows a joy and lightness that are absent from much of my work." On the existence of these two 'personae', she comments: "I believe everybody has two personalities within them .. .there is a great deal to names, and their meaning is woven into one's life." (See General Article by A.D. Jankowicz.) No. 2. Top right. Linda Kramer. Egypt, glazed and inked ceramic, blue cement pedestals, plywood platform, 16 X 16 X 16 X 6 ft high, 1985. (Photo: Ruth Conner) For the installations, which took up an entire room, the walls were painted 'Nile blue' and the platform hot salmon. Huge turquoise pots sat on dark blue pedestals and 'radioactive' rocks emerged from the black triangular hole in the center of the sculpture. No. 3. Bottom left. Pierre Comte. A three-dimensional model of the Leonardo da Vinci, an 'ARSAT Symbiosis' orbital space station. The 3 X 3 X 3 m service module will inflate from a supple central structure into a full-sized orbital space station including two inflated tores, each with a total diameter of 30 m and an inside diameter of 4.5 m. The inflated structure will have room for an inhabited zone, diverse laboratories and artists' studios. No. 4. Bottom right. Alan Senior. Insight, liquitex on masonite, 50 X 65 cm, 1983. (Photo: Rose Spilberg, London) An image of transformation and process in nature—unpredictable order, not chaos. ...

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