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No. I. Top left. Joanne Culver. 'Frame, Line & Field,' 1982. Computer-generated imagery was mixed with processed video shots of real objects. Four videotapes were then distributed on the Magic Wall to form a constantly changing frame of 12 multiples containing an interior field of 4 monitors. No.2. Top right. Linda Dackman. Fermilab's main accelerator tunnel. Wilson's involvement in the Fermilab's design extended to the interior tunnel of the main accelerator. The cutout, curvedform (lower left) is a magnet stand, a design Wilson implemented after he had a nightmare in which the original stands started toppling over. His design turned out to be stronger and cheaper than the original. One stands on the grounds of the Fermilab as a sculpture. (Photo courtesy ofFermilab.) No.3. Bottom left. Rachel Weiss. 'The Antarctic Bridge,' 10feet (height) X 30 feet (length), 1980. Installation view, looking through the portal. Magnetic pole is in foreground, geomagnetic pole is on far side of column, and geographic pole is in background on the left. No.4. Bottom right. Vin Kitayama. 'Polarizing Microlandscape, IV-B: Flowers Blooming in Space,' silkscreen print on paper, 40 X 59 em, 1982. One of a series offive, based on polarizing microphotographs of balsam crystals. Printed by the author and Hirotoshi Hiraga. ...

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