Abstract

The writer is a painter who also makes innovative animated films. The images of his films, like those of his paintings, project a personal mythology that actually evolves during the film-making process itself. He describes his techniques of animation and then proceeds, referring to memories and associations, to give the motives behind the sequence of images he made in his film ‘Out of Into’. He also explains how the images were born and shaped by the process of form building in his animation process.

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