Abstract

This article conducts an analysis of contemporary 3D film style in narrative features, examining how stereoscopy has been married to existing cinematic form. Formal examinations of 3D sequences show them to work within systems of classical or intensified continuity while also generating patterns of meaning tied to the 3D format.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 52-73
Launched on MUSE
2015-10-18
Open Access
No
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