- Girl Carrying a Suitcase
New York, ca. 1960, by Garry Winogrand
Younger in the photo than my daughter is now— eighteen or nineteen,
the same age as my wife when I first met her— she would now be not quite
old enough to be my mother, more like an older cousin I saw only in summer
and would steal glimpses of or find ways to be near . . . just as I kept circling back
to this girl’s photograph at the exhibition to study again
the way her body bends slightly to the right to offset the weight
of her fabric-covered suitcase against the lighter raffia bag in her other hand; [End Page 554]
the tapered cut of her sleeveless dress printed with black-eyed Susans
(one centered over a breast); and the way her silver bracelets gather at her wrists
below the almost-dimples on the inside of her elbows, the photo’s shadowed foci.
And since bringing home the postcard I bought at the museum shop,
I’ve been searching her image like a figure recovered from my own past,
someone I almost recognize, though her head is veiled in glare,
and her hair coming loose from her braids conceals the right side of her face.
She gazes downward, toward the sidewalk she has just stepped onto
from the busy crosswalk, unhurried and alone amid the crowd [End Page 555]
of the city she is either leaving or returning to but not arriving in
for the first time (she is too unguarded), lost in herself,
thinking perhaps of whoever she has just been staying with or is about to visit,
someone who—whether cousin, friend, parent, or lover— must surely adore her.
If only I could find her and show her this photograph which, almost certainly,
she has never seen, since it was printed for the first time only recently,
decades after the photographer’s death . . . or at least send her this postcard
I’ve been keeping on my desk these last few weeks, giving this stolen
glimpse of her past back to her, so she too might be taken [End Page 556]
by this young woman who was once herself, like someone held dear
who left long ago then one late afternoon shows up at the door. [End Page 557]
jeffrey harrison is the author of five books of poetry, including Incomplete Knowledge and Into Daylight. His poems have recently appeared or are forthcoming in The Hudson Review, The Yale Review, and The Kenyon Review.