Abstract

With its mathematical vocabulary, innovative geometrical form, lyric density, and funky deployment of punctuation, Dura exemplifies Kim’s interest in poetic experimentation. This article investigates how Kim negotiates two foci through Dura: on the one hand, employing experimental linguistics that grant punctuation, mathematical notations, and scientific vocabulary multiple signifying possibilities, while on the other, pushing forth a political project that speaks to the continuing issue of radical social inequalities. Punctuation, mathematics, and science all operate under a rubric of efficiency. Punctuation enables more effective forms of communication, while mathematical and scientific advances enable inventions that provide greater comfort, easier transport, faster communication, and other improvements. But Kim’s lyric style in Dura questions the logic of efficiency that undergirds modes of standardization and perceived trajectories of advancement. Hence, the use of experimental punctuation and nonstandard use of mathematical and scientific language enable Dura to stage a trenchant critique of driving forces behind colonialism and empire.

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