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Contributors ENOCH BRATER has recently joined the Department of Eng­ lish at the University of Michigan, Ann Ar:bor. A past con­ tributor to Comparative Drama, his essays have also ap· peared in Modern Drama, Modern Language Quarterly, Educational Theatre Journal, and The New Republic. Pro­ fessor Brater has completed a new'book on Beckett and is currently guest-editing a special Beckett number for the Journal of Modern Literature. STEPHEN WIGLER is an ass istant profess or of English at the University of Rochester and an Ass ociate Editor of Seven­ teenth Century News. He has published articles on Jacobean literature, lectured on twentieth-century Russian keyboard style, and he is currently preparing a psychoanalytic study of Thomas Middleton. JAMES H. BIERMAN is presently ·an assistant professor of Theatre Arts and a Fellow of Cowell College at the Univer­ sity of California , Santa Cruz. He has studied Jarry 's theatre ex:tensively, especiall y as a student at the Sorbonne and as a Fulbright scholar. Pro�essor Bierman has. published a trans­ lation of Caesar Antichrist and has written· an adaptation of Ubu on the Hill. In addition to studying dramatic literature, he is also a playwright .and � now ,working on. a study of the Walt Disney robot dramas. BETTINA KNAPP is Professor of Romance Languages at Hunter College and the Graduate Center of CUNY. Pro­ fessor Knapp is the author of many boo ks, including Louis Jouvet, Man of the Theatre; That Was Yvette, a biography of the French diseuse; Le Mirliton, a.novel based on the life of Aristide Bruant; Antonin Artaud Man of Vision; Jean Genet; Jean Racine; Mythos and Renewal in Modem Thea­ tre,· Georges Duhamel; Jean Cocteau; Off-Stage Voices,· and Maurice Maeterlinck. ...

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