Abstract

By way of a double reading of the temporality of guillotine and photography in the anonymous 1939 film of the execution of Eugène Weidmann, this essay examines the putative instantaneity of death, which posits life as that which happens only before death.

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Additional Information

ISSN
1925-5683
Print ISSN
0027-1276
Pages
pp. 75-94
Launched on MUSE
2015-09-16
Open Access
No
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