Abstract

Looking back to Biography’s 2003 “Online Lives,” the coeditors reflect on continuities and analyze new developments in Internet-based auto/biographical production since the advent of Web 2.0. They outline recurring themes in the essays in Online Lives 2.0, which include the merging of public and private life, online self-curation, the socioeconomic dimensions of online self-presentation, and the filtering and falsification of lives in social media, and they explore the implications of these issues for auto/biography studies.

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Additional Information

ISSN
1529-1456
Print ISSN
0162-4962
Pages
pp. v-xlvi
Launched on MUSE
2015-08-24
Open Access
No
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