Abstract

During rehearsals for the 1973 British premiere of Beckett’s Not I, actor Billie Whitelaw collapsed. The actor’s affective experience archives the sensory approach of Beckett’s compositional innovations and demonstrates the collaborative nature of working with this sensation-depriving dramatist.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 91-107
Launched on MUSE
2015-08-26
Open Access
No
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