Abstract

Kutiyattam Sanskrit theater of Kerala state was recognized as India’s first UNESCO Masterpiece of the Oral and Intangible Heritage of Humanity in 2001. Looking back a decade later, how has UNESCO recognition impacted both the art and the lives of its artists? Based upon two years of ethnographic research from 2008-10 among Kutiyattam artists in Kerala, India, this essay follows the art’s postrecognition trajectory through its increasing mediatization, institutionalization, and liberalization. Drawing on extended interviews with over fifty Kutiyattam actors, actresses, and drummers, it focuses on reclaiming the voices of affected artists on the ground.

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