Award Recipients
Vol. 42. Andrew M. Beresford, “Dreams of Death in Medieval Castilian Hagiography: Martyrdom and Ideology in the Gran Flos Sanctorum”, 42.1 (Fall 2013): 159-84.
Vol. 41. Ana Gómez Bravo, “Situation and Textual Mediation: Toward a Material Poetics of the Fifteenth-Century Lyric”, 41.2 (Spring 2013): 35-60.
Vol. 40. Yasmine Beale-Rivaya, “The Written Word as Witness: Language Shift from Arabic to Romance in the Documents of the Mozarabs of Toledo in the Twelfth and Thirteenth Centuries”, 40.1 (Fall 2011): 27-50.
Vol. 39. Lucia Binotti, “Humanistic Audiences: Novela sentimental and Libros de caballerías in Cinquecento Italy”, 39.1 (Fall 2010): 67-113.
Vol. 38. Jesús D. Rodríguez Velasco, “La urgente presencia de Las Siete Partidas”, 38.2 (Spring 2010): 99-135.
Vol. 37. Frank A. Domínguez, “Santilario and Cardinal Francisco Jiménez de Cisneros: Stanza 28 of Carajicomedia and Its Gloss”, 37.1 (Fall 2008): 301-37.
Vol. 36. Ryan D. Giles, “‘Tomé senda por carrera’: Finding and Losing the Cross in the Libro de buen amor”, 36.2 (Spring 2008): 369-92.
Vol. 35. Teresa Catarella, “Doña Urraca and her Brother Alfonso VI: Incest as Politics”, 35.2 (Spring 2007): 39-67. [End Page 147]
Vol. 34. Robert Folger, “Passion and Persuasion: Philocaption in La Celestina”, 34.1 (Fall 2005): 5-29.
Vol. 33. Simone Pinet, “Para leer el espacio en el Poema de Mio Cid: breviario teórico”, 33.2 (Spring 2005): 195-208.
Vol. 32. Sol Miguel-Prendes, “Reimagining Diego de San Pedro’s Readers at Work: Cárcel de amor”, 32.2 (Spring 2004): 7-44.
Vol. 31. José Pérez López, “El códice T del Libro de buen amor en su biblioteca: Averroístas y goliardos”, 31.1 (Fall 2002): 69-106; and “El Manuscrito 99-37 de la Biblioteca de la Catedral de Toledo y el Manuscrito T del Libro de buen amor”, 31.2 (Spring 2003): 137-75.
Vol. 30. Emily Francomano, “¿Qué dizes de las mujeres?: Doncella Teodor as the Conclusion to Bocados de oro”, 30.1 (Fall 2001): 87-110.
Vol. 29. Barbara F. Weissberger, “The Gendered Taxonomy of Spanish Romance”, 29.1 (Fall 2000): 205-29.
Vol. 28. Richard P. Kincade and John E. Keller, “Myth and Reality in the Miracle of Cantiga 29”, 28.1 (Fall 1999): 35-69.
Vol. 27. Charlotte Stern, “Recovering the Theater of Medieval Spain (and Europe): The Islamic Evidence”, 27.2 (Spring 1999): 119-53.
Vol. 26. Julian Weiss, “On the Conventionality of the Cantigas d’amor”, 26.1 (Fall 1997): 225-45.
Vol. 25. E. Michael Gerli, “Performing Nobility: Mosen Diego de Valera and the Poetics of Converso Identity”, 25.1 (Fall 1996): 19-36.
Vol. 24. Ross Brann, Ángel Sáenz-Badillos and Judit Targarona, “Šĕmu’el ibn Śaśon y su poesía hebrea en la Castilla del siglo XIV”, 24.2 (Spring 1996): 56-74.
Vol. 23. Steven N. Dworkin, “The Genesis of Old Spanish duecho: An Unrecognized Provencalism”, 23.2 (Spring 1995): 34-50.
Vol. 22. Louise O. Vasvári, “Festive Phallic Discourse in the Libro del Arcipreste”, 22.2 (Spring 1994): 89-117.
Vol. 21. Jane Whetnall, “Isabel González of the Cancionero de Baena and Other Lost Voices”, 21.1 (Fall 1992): 59-82. [End Page 148]