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Spring 2011 141 Announcing: JDTC Book Reviews We at the Journal of Dramatic Theory and Criticism are pleased to announce the return of the book review section. Book reviews were a staple of the journal until 2003, when they went on hiatus. Beginning with the fall 2011 issue, JDTC will again run a regular book review section in each issue. The books received list appears below. Authors interested in writing reviews should contact Scott Magelssen, Editor, at magelss@bgsu.edu. Full submission guidelines appear in this issue’s front cover, and at our website: http://www.jdtc. ku.edu. Books Received Anderson, Patrick. So Much Wasted: Hunger, Performance, and the Morbidity of Resistance. Durham: Duke UP, 2010. Bailes, Sara Jane. Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service. London: Routledge, 2011. Canning, Charlotte and Thomas Postlewait, eds. Representing the Past: Essays in Performance Historiography. Iowa City: U of Iowa P, 2010. Chen, Xiaomei, ed. The Columbia Anthology of Modern Chinese Drama. New York: Columbia UP, 2010. Di Benedetto, Stephen. The Provocation of the Senses in Contemporary Theatre. New York: Routledge, 2010. Dunbar, Judith. The Winter’s Tale (Shakespeare in Performance Series). Manchester: Manchester UP, 2010. Fischer, Iris. Mabou Mines: Making Avant-Garde Theater in the 1970s.AnnArbor: U of Michigan P, 2011. Gruber, William. Offstage Space, Narrative, and the Theatre of the Imagination. New York: Palgrave, 2010. Hillman, Richard. French Origins of English Tragedy. Manchester: Manchester UP, 2010. 142 Journal of Dramatic Theory and Criticism Hingorani, Dominic. British Asian Theatre: Dramaturgy, Process and Performance. New York: Palgrave, 2010. Irish, Sharon. Suzanne Lacy: Spaces Between. Minneapolis: U of Minnesota P, 2010. Jackson, Shannon. Social Works: Performing Arts, Supporting Publics. New York: Routledge, 2011. *Jannarone, Kimberly. Artaud and His Doubles. Ann Arbor: U of Michigan P, 2010. Koss, Juliet. Modernism after Wagner. Minneapolis: U of Minnesota P, 2010. Leon, Mechele. Molière, the French Revolution, and the Theatrical Afterlife. Iowa City: U of Iowa P, 2009. *Lutterbie, John. Toward a General Theory of Acting: Cognitive Science and Performance. New York, Palgrave, 2011. McKenzie, Jon, Heike Roms, and C. J. Wan-Ling Wee, eds. Contesting Performance: Global Sites of Research. New York: Palgrave, 2010. Menon, Madhavi, ed. Shakesqueer: A Queer Companion to the Complete Works of Shakespeare. Durham: Duke UP, 2011. *Polster, Joshua E. Reinterpreting the Plays of Arthur Miller: An Approach Using Cultural Semiotics and New Historicism. New York: Edwin Mellen, 2010. Ruppo Malone, Irina. Ibsen and the Irish Revival. New York: Palgrave, 2010. *Schanke, Robert. Queer Theatre and the Legacy of Cal Yeomans. New York: Palgrave, 2011. Schneider, Rebecca. Performing Remains: Art and War in Times of Theatrical Reenactment. New York: Routledge, 2011. Simon, Eli. The Art of Clowning. New York: Palgrave, 2009. *Solomon, Rakesh H. Albee in Performance. Bloomington: Indiana UP, 2010. Spring 2011 143 Tuite, Patrick. Theatre of Crisis: The Performance of Power in the Kingdom of Ireland 1662-1692. Selinsgrove: Susquehanna UP, 2010. Werth, Brenda. Theatre, Performance, and Memory Politics in Argentina. New York: Palgrave, 2010. *Denotes a review currently in progress and slated to appear in JDTC’s fall 2011 issue. For the most up-to-date list of books received and guidelines for submitting a book review, please visit JDTC’s website at http://www.jdtc.ku.edu. ...

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