Abstract

Focusing on Ruth Ozeki’s A Tale for the Time Being, this essay engages the transits between the fictional and the autobiographical by deploying notions from narratology, including a proposal regarding the difference between “fiction” and “the fictive,” reflections on metatextual performance, and the idea of the implied author.

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Additional Information

ISSN
1529-1456
Print ISSN
0162-4962
Pages
pp. 87-103
Launched on MUSE
2015-07-06
Open Access
No
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