Abstract

This paper argues that autobiographical video art radically transforms intersubjective relationships with viewers, and in doing so deconstructs critical spectatorship by positioning the viewer as an interlocutor. Here I draw attention to the work of visual artists Lisa Steele, Colin Campbell, Peter Kingstone, and Irene Loughlin, who help to reconceptualize the interlocutor subject position by using unorthodox transmedial aesthetic strategies.

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Additional Information

ISSN
1529-1456
Print ISSN
0162-4962
Pages
pp. 953-973
Launched on MUSE
2015-07-06
Open Access
No
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