Abstract

In addition to a translation of the play Manzai Tichiuchi, or Vendetta of Performers of “Myriad-Year” Felicity, this article gives background on this 1759 work by Tasato Chōchoku, the kumi odori genre in which he wrote, and the practice of the art, and the performance of this particular work in the Okinawan community in Hawai‘i.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 1-36
Launched on MUSE
2015-07-23
Open Access
No
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